Dorothea
Lange was born May 25th, 1895 in Hoboken, New Jersey to proud
parents, Heinrich and Johanna Nutzhorn. Dorothea had one brother, Martin, who
was born when she was six. A year later, Dorothea contracted polio which
crippled her right leg for life. From then on, she walked with a permanent limp
that heavily embarrassed her mother, a very self-conscious woman. Regarding to
her limp, Lange said, “[It] was the most important thing that happened to me,
and formed me, guided me, instructed me, helped me and humiliated me.” When she
was twelve, her father unexpectedly walked out on the family and was never
heard from again. Dorothea dropped her father’s name and used her
mother’s maiden name, Lange.
Soon
after her father left, Dorothea’s mother got a job as a librarian. After
school, Dorothea would go to the library and study photographs in all of the
books available to her. This is where she decided what she wanted to do after
high school. After graduating, Lange took a position in a photography studio
working with famous photographer, Arnold Genthe. After learning everything she
could from Genthe, she studied a year with Clarence White. In 1918, she left
New York to leave for San Francisco and opened her very first portrait
photography studio. By 1928, Dorothea was married to Maynard Dixon and had two
sons, Daniel and John.
Between
1932 and 1934, Lange spent the majority of her time photographing many of the
millions affected by the Great Depression. It was around this time she felt her
marriage collapsing. She was also struggling to find a balance between work and
being a mother to her sons. Paul Taylor, a huge fan of her work, helped to get
Dorothea a job with the government as a “typist,” the only title available for
hire. Together, Paul and Dorothea traveled the nation. With Paul speaking to and
supporting the poor American’s, Dorothea was photographing them. They would report
back their findings to the U.S. government.
After
the Dust Bowl, Dorothea and Paul captured photographs of the migrants in
California. The most well-known photograph of the time and from Dorothea came
from this trip. The photograph titled, “Migrant Mother” was taken in 1936 in
Nipomo, California. Dorothea was driving home alone and saw a sign for a “Pea
Pickers Camp” but didn’t want to stop. About twenty miles later, she turned
around and went back to the site. When she arrived, there were about 2500 other
men, women, and children. Dorothea took six photographs of the 32 year old
woman and her seven children. This photograph became a nationwide symbol for
all the suffering families across America. It showed other families that they
were all in the same situation and that they were not alone. Dorothea went
right home and sent copies to the government and a San Franciscan newspaper.
Almost immediately, the government responded and sent twenty-thousand pounds of
food to the California fields. Dorothea Lange’s photography had saved thousands
of people.
Meanwhile,
Paul and Dorothea had fallen in love, separated from their spouses, and joined
their families together. After the Great Depression, photographing rural
American’s and educating others of suffering continued to be her main concern. In
March 1941, she became the first woman and third photographer ever to receive the prestigious Guggenheim Fellowship award.
The government hired her to document the
evacuation of Japanese-Americans into internment camps following the Pearl
Harbor attack. In 1964, Dorothea was diagnosed with terminal cancer at age
sixty-nine. She helped produce two television films about her life and started
a national project to help young photographers document American city life.
Dorothea also helped plan a one-woman exhibition of her art for the Museum of
Modern Art in New York City. Another major accomplishment she made was being
co-founder of Aperture, a high-end photography magazine.
On
October 11, 1965, Dorothea died from esophageal cancer. She passed peacefully
and surrounded by family. Lange left such an impact on the nation and
specifically on the photography world. A picture really can change or influence
an entire nation.
“One should really use the camera as though tomorrow you’d
be stricken blind.”
Even in old age, Dorothea was capturing moments. |
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Sills, Leslie. In Real Life: Six Women Photographers. New York: Holiday House, 2000. Print.
"Subjective & Sensational Photography by Jonathan Van Smit." A Photography Blog. N.p., n.d. Web. 23 Aug. 2013.
"THE COLLECTION." MoMA.org. N.p., n.d. Web. 23 Aug. 2013.
"Department of English, College of LAS, University of Illinois." Welcome to English « Department of English, College of LAS, University of Illinois. N.p., n.d. Web. 23 Aug. 2013.
"The Digital Journalist." The Digital Journalist. N.p., n.d. Web. 23 Aug. 2013.
"John Edwin Mason: Documentary, Motorsports, Photo History." 'John Edwin Mason: Documentary, Motorsports, Photo History' N.p., n.d. Web. 23 Aug. 2013.
"KQED." Public Media. N.p., n.d. Web. 23 Aug. 2013.
"Kuriositas." Kuriositas. N.p., n.d. Web. 23 Aug. 2013.
"Library of Congress Home." Library of Congress Home. N.p., n.d. Web. 23 Aug. 2013.
"The MY HERO Project." The MY HERO Project. N.p., n.d. Web. 23 Aug. 2013.
Partridge, Elizabeth, and Dorothea Lange. Restless Spirit: The Life and Work of Dorothea Lange. New York, N.Y., U.S.A.: Viking, 1998. Print.
Sills, Leslie. In Real Life: Six Women Photographers. New York: Holiday House, 2000. Print.
"Subjective & Sensational Photography by Jonathan Van Smit." A Photography Blog. N.p., n.d. Web. 23 Aug. 2013.